Bethany Bickley takes the narrative of books and brings them to life.
The artist uses pages torn from magazines, classics, and even contemporary works to create distinctive paper sculptures of masks, clenched fists, and cozy evenings with fireplaces and Christmas trees.
Each sculpture has a meaning and serves as a representation of the book or magazine that it is placed on.
Bickley takes the narratives of these stories and masterfully brings them to life, illustrating the main themes in beautifully crafted figures. For instance, in her representation of “Divergent” by Veronica Roth, Bickley depicts a jumping scene where the protagonist Beatrice “Tris” Prior jumps from a high building while others wait for their turn. Or in the representation of “How Could She” by Lauren Mechling and “Bunny” by Mona Awad, she interprets the women’s friendships written in these books.
“Summer Thrillers”
“The Bell Jar” by Sylvia Path
“Suffolk Summer” by John Tate Appleby
“How Could She” by Lauren Mechling and “Bunny” by Mona Awad
“Divergent” by Veronica Roth
“The Bone Yard” by Jefferson Bass
“Their Eyes Were Watching God” by Zora Neale Hurston
“Nectar in a Sieve” by Kamala Markandaya
“Conscience of a Conservative: A Rejection of Destructive Politics and a Return to Principle” by Jeff Flake
“All The Bright Places” by Jennifer Niven
“All The Bright Places” by Jennifer Niven
“The Woman Destroyed” by Simone De Beauvoir
“The Paper Wasp” by Lauren Acampora
“The Bell Jar” by Sylvia Path