Kerstin Brätsch, Skeleton Steles #8 (L7-III from Blocked Radiants for Ioana), 2012, Sandblasted Artista glass, luster and enamel, 200 x 40 x 1 cm Kerstin Brätsch, Unstable Talismanic Rendering 28 (with gratitude to master marbler Dirk Lange), 2014, Ink and solvent on paper, 278,1 x 182,9 cm Kerstin Brätsch, Untitled, from All Ready Maid Betwixt and Between (Various Shapes) Series_brushstroke ghosts (masks), 2012, Black stain on handblown antique glass, 96,5 x 66 x 0,3 cm Kerstin Brätsch and Debo Eilers S is for Sound, 2013, Bodybag Liberato, installation view KAYA III, 47 Canal Kerstin Brätsch and Debo Eilers, S is for Sissy, 2013, Bodybag Meo, installation view KAYA III, 47 Canal Kerstin Brätsch, Blocked Radiant B for Iona, 2012 Kerstin Brätsch, Machine of Light, from New Images Unisex Series, 2008, Oil on paper Kerstin Brätsch, Installation view Preis der Nationalgalerie Hamburger Bahnhof, Berlin, 2013 Kerstin Brätsch, Die namen die linien, 2012, Enamel and lustre on sandblasted artista glass with colored UV glue Kerstin Brätsch, Taiyo no tate, 2012, DAS INSTITUT - UNITED BROTHERS, Filmstill Kerstin Brätsch, Blocky Blocked Radiant Sunbathed Mylar (3 parts), oil paint on mylar, 152,4 x 121,9 cm Kerstin Brätsch, Upright Tanning, Installation view at Catch as catch can Locks Gallery, 3 part mylar, 2012 Kerstin Brätsch, All Ready Maid Betwixt and Between (Pear Nose Pele), 2013, Lustre, enamel and lead on handblown antique glass, 97 x 65,5 cm Kerstin Brätsch, All Ready Maid Betwixt and Between (Hallo Vita), 2013, Lustre, enamel and lead on handblown antique glass, 97 x 60,5 cm Kerstin Brätschn All Ready Maid Betwixt and Between (Idee), 2013, Lustre and enamel on handblown antique glass, 96,7 x 58,6 cm


Gavin Brown Gallery
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+1 212 627 5258Balice Hertling Gallery Paris
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Balice Hertling Gallery New York
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